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A lovely depiction of Nantucket, exquisitely illustrated.
wonderful book

Fine stories of men's worldBy ERIC MILES WILLIAMSON
ISLANDS, WOMEN, AND GOD.
By Paul Ruffin.
Browder Springs, $24.95 hardcover,
$16.95 paperback.
PAUL Ruffin, poet, short-story writer and professor at Sam Houston State University in Huntsville, writes about Texas and the Gulf Coast so well that his new story collection is likely to define the literary territory for many years to come.
The 17 stories in the collection are about common people, folks from Texas and Mississippi who live quiet and humble lives -- factory workers, farmers, fishermen, husbands and wives and youngsters and oldsters. Although the characters are common people, the book is not. These stories are masterful, every line honed and tight and true, the sentences spoken by the characters in phrases we've often before heard but never before seen on the page.
Ruffin's work has been compared with that of William Faulkner and Flannery O'Connor, but his stories are not derivative. Rather, they're part of the new wave of Southern fiction generally and Texas fiction specifically, a wave that includes Southerners such as Barry Hannah, Padgett Powell, Chris Offutt and Charlie Smith, and Texas writers such as Glenn Blake and Tracy Daugherty. Not insignificantly, Ruffin occasionally pays tribute to Cormac McCarthy, a Southerner-turned-Texan like Ruffin himself.
Islands, Women, and God is a man's book about the world of men. The stories center on the conflicts inherent in the stifled, brutal and often senseless world of masculinity.
Manhunt, the opening story, is about the apprehension of an escaped convict. The hunters of the convict are local men who normally spend their days selling cars and working for insurance companies, these otherwise calm men turned into bloodthirsty bigots and would-be killers, the manhunt a legal excuse to do what they would be doing were there not the constructs of "civil" society. Underpinning our culture is a violence that needs very little to turn supposedly peaceful family men into primordial beasts, Ruffin seems to say.
In Tattered Coat Upon a Stick, Ruffin writes of an aging man who, rather than live out his days in senility and helplessness, emasculated, chooses to return to the family property in the country and end his life properly and with dignity. His end is far from morbid or maudlin, but instead glorious and beautiful.
Interloper relates the tale of a family man who discovers a burglar in his house and takes care of him. Just before the protagonist of the story meets the burglar, Ruffin writes,
No, it is nothing that would warrant calling the police or awakening your wife, nothing to justify wrenching off a table leg and swinging it wildly through the dark. But it is more than simply nothing. So you must summon whatever resolve you are capable of and go down the stairs into the cold darkness of what a few hours earlier was your warm and well-lit den. You are in charge -- it is your house, your domain, and while your wife and children sleep you must stand watch if there is a threat. This is the law. A very old one.
When Ruffin's men pop, when their natures surface, he is there with some of the most perceptive and powerful observations in American literature, or any literature for that matter.
One of the best stories in the collection, The Sign, shows the brutality of father to son and son to father. At the beginning of the story we find a description of the father beating his son:
"I will beat your skin off, boy. You hold still." And the belt came down time and time again on his back, lapping around his protruding ribs like a devil's tongue, then curling about his legs, snapping until all the feeling went away and there was only sound, only sound -- and he could feel the warm of his blood trailing down from the welts, seeking its way, gathering and dripping. He stood like something carved of wax, not feeling the belt but feeling the blood. He would not cry. He clenched his eyes and teeth, but he would not cry.
The story centers on the father's wedding anniversary and a family reunion. The son returns home for only the second time in 40 years for the event. The father is dying of cancer, and the son exacts his revenge in spectacular and appropriate fashion, not by killing the father but by doing something far worse and more enduring.
The title and final story of the collection, Islands, Women, and God, is about a man named Ray who fakes his own death and deserts his wife and children to live on the barrier islands of the Gulf Coast. He is discovered by a former co-worker and friend, and the story gives occasion for Ruffin to present a sad and unfortunately viable solution to the condition of men: solitude and atavism, regression into an animal state in nature. Ray says, "I'm in harmony, man, with this island, with this Gulf. I got everything I need out here to live, and everything's in balance." Later he explains that every man is called to this state of being:
"It comes for every man. ... Every man. Only most don't know what they're seeing or feeling, or they don't know what to do about it. I'm telling you, Roger, an old man over there [in society] is, as Yeats says, just a scarecrow. Out here he's more. He's everything. He's a skull full of lightning. He's -- he's God, or he's soon going to be, because God is all of this."
We leave the book with Ray on his island and Roger back in civilization, longing to be living on an island of his own, afraid to do so yet wanting to do so.
Islands, Women, and God is an astonishing book. Every page is beautifully written, splendidly rendered and bold. Where weaker writers grow timid and shrivel, Ruffin burrows deep into truths we know but don't admit to knowing. In a time when American writers seem to strive to either shock or soothe, Ruffin instead gives us an honest vision of what lies beneath the veneer of manners and society. He is a master of language and a peerless teller of tales, and he will surely be known as one of the best writers of his generation.
Eric Miles Williamson is the author of the novel East Bay Grease and a graduate of the University of Houston's Creative Writing Program. He lives in Missouri and is at work on his second novel.
Review of Paul Ruffin's Islands, Women, and God
Islands, Women, and God

Current, Entertaining, Exciting and Informative Reading!

Wonderful!
A well-written adventure that is hard to put down
This book is fantastic!!!

Beautiful artwork...an adventure story with social messagesSlightly older children will begin to be engaged by the story...an adventure tale, presented as if the book were a lost journal that has been recovered.
Youth and adults can appreciate the story's deeper messages about peace and simplicity of living, and the beautiful artwork...far beyond the typical illustrations in a children's book, both in quantity and quality.
Absolutely BreathtakingThe artwork is amazing! The paintings simply take your breath away. Whenever I want to escape, I read this book. Whenever I want to immerse myself again in the land of Dinotopia, I just look at one of the fabulous paintings and i'm there.
The book is accessible to everyone - there are characters which connect with every person on this earth. The story is magical and deserves greater praise than I could ever give it.
I LOVE THIS BOOK! PLEASE BUY IT!!!!!
PLEASE!
Marvelous illustrations and content!

Absolutely wonderful!!
Anne Of The Island
The Best there is!

Why's Tintin so unique in the world of comic books ?What sets Tintin apart from all the rest, I feel, the brilliant quality of the artwork. The level of detail, right from the wheels of flight 714 about to land on that tiny island (flight 714), to the shadow effects of walking in a hidden passage to the Inca empire (prisoners of the sun), to the shape of the waves on which Tintin in a coffin is floating (cigars of the pharaoh), or the jaguar in which Tintin chases the gangsters (the calculus affair), the details are just fantastic and the right amount, without creating too much noise and distraction - as is the case with many of the DC comics - iron man, the incredible hulk, etc.
The stories range from contemporary to looking ahead in the future - swing wing planes, rockets to the moon, hidden cameras/espionage. The subject matter is political, and in my opinion slightly controversial at times. Especially the way Herge stereotypes native people in India (Cigars of the Pharaoh, Tintin in Tibet), or in the jungles of Amazon (The Broken Ear). But even here, Herge is way above the shady and simplistic plots of the like of Phantom and Flash Gordon.
The collection is more readable towards the later comics, some of the earlier ones contains situations which are too improbable and rely far too much on luck for Tintin to get himself out of danger.
Great
Great Books!

Remember MacGyver?He kept coming to mind as I was reading this incredible book, as the characters, stranded on an island with absolutely nothing, accomplished such amazing feats as draining a lake, making a home, building a ship, making an elevator, and a great many other things. There is excitement, suspense (what IS going on on this mysterious island??), and wonderful, likeable characters. Not a real well-known Verne book, but fortunately still in print, and one of his best and most entertaining.
(Incidentally, if you want a children's version of the same story, try to find "A Long Vacation" by Jules Verne, which is extremely similar in plot, but with younger characters and for a younger audience - very charming!)
By the way, please do read 20,000 Leagues Under the Sea first, if you have not already done so. Evidently, Verne assumed that everyone had when he wrote this novel.
Great reading!
Excellent
Adventure UnlimitedMention Jules Verne, and books that spring to mind are 20,000 Leagues, Around the World in 80 days, and Journey to the Center of the Earth. The Mysterious Island is one of his lesser known works, which is something of a mystery itself.
The book surpasses one's imagination and never fails to surprise. From the initial pages when Capt. Cyrus Harding and his friends decide to escape from a prison camp, the story seizes the complete attention of the reader, and unfolds at a pace and in a direction excelling Jules Verne's characteristic stories. The spirit and ingenuity of man is demonstrated in almost every page, as Cyrus and Co. find themselves marooned on a deserted island, and armed with only their wits, transform their desperate situation into a wonder world of science and technology. The reader is drawn into the adventure and finds himself trying to find solutions to the problems and obstacles that lie in plenty for the castaways, as Cyrus and his indomitable friends surmount myriad problems in their fight for survival. They are aided in their ventures by an uncanny and eerie source that remains a mystery until the very end.
This book cannot fail to fascinate and inspire awe in the mind of any reader. One begins to grasp the marvels and inventive genius behind the simple daily conveniences and devices that are normally taken for granted. The line between reality and fantasy is incredibly thin, and for sheer reading pleasure and boundless adventure, this book will never cease to please.
PS: The book has been adapted into a movie, which is one of the worst adaptations of any novel that I have ever had the misfortune of viewing. It is criminal to even mention the movie and the original work in the same breath.


Just wonderful.
Childhood favorite to be read with your kids.
the most fascinating book I ever read

Low Country Treasure
Makes you want to head down South
an entertaining look at the golf life in Hilton Head